first review of Cycle of Dreams

Poet Matthew Weitman’s review of Cycle of Dreams with Eliot Weinberger’s The Life of Tu Fu appears over at Asymptote:

Rather than translate [Piers Plowman] line for line, word for word, phrase for phrase, insofar as this is ever possible, Weiskott translates exploitation for exploitation, vice for vice, and virtue for virtue. . . If not for the physical orientation of the book itself, it would be quite difficult to differentiate Weiskott from Langland. But. . .herein lies the great achievement of Cycle of Dreams. By combining his contemporary and domesticizing translation of the medieval poem with his own lyric poetry, Weiskott offers us his own vision: his own view of the world through the scrim of scholarship.

note on the election

Eight years later, here we are again. I have been opening up space in my classes for students to reflect on the election result, which follows a uniquely tumultuous election cycle marked by vitriolic rhetoric from the Republican candidate: a rhetoric that asks us to despise and fear our neighbors. The Democrats, meanwhile, seemed short on pithy counter-narratives that can reach people where they live. The president-elect is a convicted felon. I want to believe this was not a normal election, where a normal range of disagreements about policy shaped the conversation. But, increasingly, extreme divisiveness and intractability is the norm in US politics.

It is hard to absorb. It is hard for my students to absorb; it is hard for me to absorb. I’m left with this thought, my most charitable interpretation of Donald Trump’s broad appeal. Beset by an increasingly unaffordable and unlivable world, one made all the worse by decades of heartless policy decisions, Americans are looking for a truly independent, truly free political figure. They aspire to cast their vote for someone who commands wealth and is not commanded by wealth in turn; someone who uses the party system and is not used by it in turn; someone who uses the media and is not used by the media in turn; someone free to say what is on their minds; someone who models a path to success that anyone (hypothetically) could follow, without the multiple layers of social gatekeeping of the established professions. (The importance of The Apprentice to Trump’s political rise can’t be overstated.) I can sympathize with and even own much of this desire. It is a sad commentary on the US in 2024—in particular, on the Democratic Party—that Trump, who uses his vast wealth and freedom only to aggrandize himself and to visit destruction upon others, is the only available approximate instance of the independent leader many would wish to see in our public life.

final digital projects

This semester I taught “Graduate Colloquium: Digital Humanities,” the required introductory course in our graduate certificate program in digital humanities. All my students chose to hand in a final digital project as opposed to a researched paper (though several of the projects involved a lot of research!). I’m proud of the class’s efforts and wanted to record and share their public websites.

Thanks to the Digital Scholarship team at the Boston College Libraries and others around campus who worked to support these projects this semester.

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France, Spencer. “The Homogenic History of the Hardy Boys.” [Voyant Tools / Wix]

Green, R. “Mapping Sacred Heart: Visualizing the Parish Census.” [ArcGIS / Google Sites]

Mills, Mackenzie. “Tracing Spiritualist Ideas 1840-1900.” [ArcGIS]

Paviwala, Munirmahedi. “Tracing Agricultural Change in South Asia (1500-1750 CE).” [ArcGIS / R]

Steacy, Fiona. “Mapping New England Literature.” [Google Maps / WordPress]

Zehner, Katie. “The Grave of Mr. Joseph Tapping.” [3D Scanner App / Weebly]

Zhu, Alexander. “The Temple of Mars: A Recreation of the Temple of Mars from the Knight’s Tale by Geoffrey Chaucer.” [Minecraft / Blender / Google Sites]