My short essay, “Adam Scriveyn and Chaucer’s Metrical Practice,” has been accepted for publication in Medium Ævum. It is tentatively scheduled for publication in early 2017. Here’s the opening of the essay:
In a recent article in this journal, A. S. G. Edwards casts doubt on the traditional attribution of Chaucers Wordes unto Adam, His Owne Scriveyn to Geoffrey Chaucer. Edwards begins by questioning the reliability of John Shirley’s attribution of the poem to Chaucer in the unique surviving manuscript copy, Cambridge, Trinity College, MS R.3.20 (second quarter of fifteenth c.). He then mobilizes generic, lexical, and thematic evidence indicating that Adam Scriveyn (I will use this short title) was composed not by Chaucer but by ‘a person with overall responsibility for overseeing the writing of a manuscript or manuscripts of Chaucer’s works’, in whose voice, Edwards argues, the poem is most comfortably read. The present note supplements the case against Chaucerian authorship of Adam Scriveyn with metrical evidence.
Adam Scriveyn is composed in the English pentameter, the accentual-syllabic metre that Chaucer invented and popularized. It comprises a single stanza of rhyme royal (rhyming ababbcc), one of the stanza forms invented by Chaucer. […]